Untitled (Pink Dot)
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
- Género: Documental
- Estudio:
- Palabra clave: found footage, video art, short film, experimental
- Emitir: