Mike Dunford Movies

Shot in America but edited in the UK, this and NEW YORK STREETS formed a more politicised, agit-prop, kind of production, but closer to the cut ups...

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A small tree filmed on Hampstead Heath is printed out and re-edited at the Film Coop to form a formal abstract sequence bracketed by juddering...

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All part of a series called LOGICAL PROPOSITIONS. The simple aim of this series was to didactically select several elements of film naturalism, which...

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"After the standard 8 work this was my first 16mm film. As a film it shows all of the tendencies and concerns that preoccupied my ideas in film, and...

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A tautology is a circular argument. The film is about framing, about the frame and the image framed, and about the framing of the image. About the...

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"In 1983 I was working in San Francisco as a housepainter and much of the time we worked in Burlingame, south of the city. This tape is a meditation...

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Lip Sync is about sync sound and the disruption of it. [The film] works by disrupting the element and foregrounding the effect on film, and...

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All part of a series called LOGICAL PROPOSITIONS. The simple aim of this series was to didactically select several elements of film naturalism, which...

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A surfer, filmed and shown on tv, refilmed on 8mm,and refilmed again on 16mm.Simple loop structure preceded by four minutes of a still frame of the...

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'Still-Life with Pear' takes a subversive position towards the illusion inherent in the film-image, its apparent transparency to representation, but...

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A film on unemployment that invites the spectator to resist capitalism and the consumption society, made by Mike Dunford, who was unemployed at the...

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Early experimentations with film by a materialist sculptor and future structural filmmaker.

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Five experimentations with film as a medium, a physical object and a record of social reality.

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Using video colorising, pushing u-matic tape –tracking close to breakdown, and slo-mo, a video devoid of narrative structure, interspersed with...

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Standard 8 colour film, refilmed and slowed down, edited into a formal work on 16mm film, of camera pan sequences of a woman lying naked. Almost...

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Scratch begins as a standard 8 film fragment, originally filmed in our 60’s basement kitchen, and reprojected as a loop 5 times with a repeated...

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Arbitrary Limits is a documentation, and a documentary, of the making of itself, a self-reflexive narrative that encompasses the relationship between...

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This film came after Arbitrary Limits, and expanded the aspect of the social context of the film’s production to essentially dominate the...

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Ronald Reagan had been elected US president in 1981, and began the long unwinding of post-war progressive economic and social policy awaited by the...

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A small meditation on light, wind, and Cecil Taylor

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Marks another stage of work which I called “distributed narrative”. In this a strand of thought, an idea or a story, and related or...

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Another approach to the same complex of story and videographic operations. This time the videographic work takes primacy and is almost wholly...

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The piece is built on a framework of tracking down and up a parking garage staircase, with a carwash in the basement, (since demolished) the same...

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In 2008 de-regulated globalised finance capital brought the world to the brink of disaster. Its ideology of market fundamentalism and unconstrained...

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Part of the Logical Propositions series, 16mm, colour, sound

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Part of the Logical Propositions series. 16mm, colour, sound

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